Ricardo Dal Farra, EGT, 1989
For acoustic guitar and live electroacoustic processing (9 min. 27 sec.)
alcides lanza, eidesis III (1971-II), 1971
For orchestra and tape, with lights [possible with two conductors] (13 min. 52 sec.)
alcides lanza, ekphonesis I (1968-II) [tape part only], 1968
For string and keyboard instrument, with tape
alcides lanza, ekphonesis II (1968-III), 1968
For actress-singer, pianist and tape. (11 min. 19 sec.)
alcides lanza, ekphonesis III (1969-II), 1969
For wind, keyboard and string instruments, with electronic sounds and electronic extensions (7 min. 46 sec.)
alcides lanza, ekphonesis III (1969-II) [tape part only], 1969
For wind, keyboard and string instruments, with electronic sounds and electronic extensions
alcides lanza, ekphonesis IV (1971-III) [tape part only], 1971
Electronic music, with optional instrumental drone and slides
alcides lanza, ekphonesis VI (1988-II), 1988
For actress singer and electronic sounds (25 min. 23 sec.)
alcides lanza, ekphonesis VI (1988-II) [tape part only], 1988
For actress singer and electronic sounds
alcides lanza, ektenes I (1985-III), 1985
For Columbine and Amaranth (optional tape) (12 min. 51 sec.)
alcides lanza, ektenes III (1995-I), 1995
For clarinet, electroacoustic sounds and digital signal processing
alcides lanza, ektenes III (1995-I) [tape part only], 1995
For clarinet, electroacoustic sounds and digital signal processing
Guillermo Pozzati, El adiós, 1990
For tape. ARP 2600 synthesizer and resonant filters (designed during 1966 for its use at the Laboratorio de Fonología Musical of the University of Buenos Aires).
Audio file
Audio file with sonogram
Audio file with score
Audio file with limited access