CR+D / Document

Livre / Anthologie


Art, technology, consciousness : [email protected] — Sous la direction de Roy Ascott. — Bristol : Intellect Books, 2000. — 204 p. — ISBN 1841500410.

Livre / Anthologie
- Cote CR+D : ANT ART 00004809
- Document en Anglais
- État dans la collection du CR+D : ORIGINAL

Ce document contient les textes suivants (liste partielle) :
- Kac, Eduardo. — «Genesis : a transgenic artwork». — Art, technology, consciousness : [email protected], 2000.
- Czegledy, Nina. — «The mind’s eye». — Art, technology, consciousness : [email protected], 2000.
- Ascott, Roy. — «Edge-life : technoetic structures and moist media». — Art, technology, consciousness : [email protected], 2000.
- Vesna, Victoria. — «Towards a third culture / being in between». — Art, technology, consciousness : [email protected], 2000.
- Pepperell, Robert. — «The posthuman conception of consciousness : a 10-point guide». — Art, technology, consciousness : [email protected], 2000.
- Hill, Bill. — «Techno-Darwinism : artificial selection in the electronic age». — Art, technology, consciousness : [email protected], 2000.
- Punt, Michael. — «Not science, or history : post digital biological art and a distant cousin». — Art, technology, consciousness : [email protected], 2000.
- Rogers, Kathleen. — «The imagination of matter, pre-columbian cultural DNA and maize cultivation». — Art, technology, consciousness : [email protected], 2000.
- Okuma, Michio ; Todo, Isao. — «Capacity to conceive new meanings by awareness of conscious experience». — Art, technology, consciousness : [email protected], 2000.
- Seaman, Bill. — «Motioning toward the emergent definition of e-phany physics». — Art, technology, consciousness : [email protected], 2000. — Accès : http://faculty.risd.edu/faculty/bseamanweb/web/webreadytexts/ephanyphysics.html.
- Miyasato, Tsutomu. — «Emotion spaces created from poems». — Art, technology, consciousness : [email protected], 2000.
- Heibach, Christiane. — «The process appears : representation and non-representation in computer-based art». — Art, technology, consciousness : [email protected], 2000.
- Sanfey, John. — «Towards a physics of meaning». — Art, technology, consciousness : [email protected], 2000.
- Fraga, Tania. — «Inquiry into allegorical knowledge systems for telematic art». — Art, technology, consciousness : [email protected], 2000.
- Povall, Richard. — «Making emotional spaces in the secret project : building emotional interactive spaces». — Art, technology, consciousness : [email protected], 2000.
- Phillips, Mike et al. — «The spectactor project : a multi-user narrative in ‘Mediascape’ : ‘palmeres for to seken straunge strondes’». — Art, technology, consciousness : [email protected], 2000.
- Justice-Malloy, Rhona. — «Interactive media and the construction of dramatic narrative : becoming and identity in contemporary American drama». — Art, technology, consciousness : [email protected], 2000.
- Rajah, Niranjan. — «Two portraits of chief Tupa Kupa : the image as an index of shifts in human consciousness». — Art, technology, consciousness : [email protected], 2000.
- Ione, Amy. — «The gift of seeing : nineteenth-century views from the field». — Art, technology, consciousness : [email protected], 2000.
- Holmes, Tiffany. — «Rendering the viewer conscious : interactivity and dynamic seeing». — Art, technology, consciousness : [email protected], 2000.
- Zampronha, Edson S. — «Forms of behaviour and a new paradigm of perception to the production of new sounds». — Art, technology, consciousness : [email protected], 2000.
- Williams, Kevin. — «Music video, technology and the reversal of perspective». — Art, technology, consciousness : [email protected], 2000.
- Tanzi, Dante. — «Paradigms of change in music and in digital communication». — Art, technology, consciousness : [email protected], 2000.
- Charitos, Dimitrios ; K., Coti. — «The space of an audiovisual installation within a real and a virtual environment». — Art, technology, consciousness : [email protected], 2000.
- Bedworth, Jonathan ; Simmonds, Ben. — «‘Give us the funk...’ machine autonomy meets rhythmic sensibility». — Art, technology, consciousness : [email protected], 2000.
- Zimm, Malin. — «The synesthetic mediator». — Art, technology, consciousness : [email protected], 2000.
- Anders, Peter. — «Places of mind : implications of narrative space for the architecture of information environments». — Art, technology, consciousness : [email protected], 2000.
- Message, Kylie. — «Crystal palace to Media museum : a conceptual framework for experience and sight». — Art, technology, consciousness : [email protected], 2000.
- Murray, Shaun. — «Disturbing territories». — Art, technology, consciousness : [email protected], 2000.
- Hunt, Royden. — «Being @ installations : the space-time of technoetics». — Art, technology, consciousness : [email protected], 2000.
- Elezkurtaj, Tomor. — «Evolutionary algorithms in support of architectural ground plan design». — Art, technology, consciousness : [email protected], 2000.
- Krueger, Ted. — «There is no intelligence». — Art, technology, consciousness : [email protected], 2000.
- Gabora, Liane. — «Toward a theory of creative inklings». — Art, technology, consciousness : [email protected], 2000.
- Garvey, Gregory Patrick. — «The bicameral mind and the split-brain human computer interface». — Art, technology, consciousness : [email protected], 2000.
- Tresilian, Nicholas. — «Attractors and vectors : the nature of the meme in visual art». — Art, technology, consciousness : [email protected], 2000.
- Jaros, Milan. — «Geo-aesthetics of quasi-objects». — Art, technology, consciousness : [email protected], 2000.
- Cowley, John. — «A quantum mechanical model of consciousness». — Art, technology, consciousness : [email protected], 2000.
- Fialkowski, Konrad R. ; Szymanski, Boleslaw K. — «Conceptor : a model of selected consciousness features including emergence of basic speech structures in early childhood». — Art, technology, consciousness : [email protected], 2000.
- Ableman, Paul. — «The twin-data-stream theory of consciousness». — Art, technology, consciousness : [email protected], 2000.
- Stuart, Susan A. J. ; Dobbyn, Chris H. — «Kantian descriptive metaphysics and artificial consciousness». — Art, technology, consciousness : [email protected], 2000.
- Jones, Stephen. — «Towards a physics of subjectivity». — Art, technology, consciousness : [email protected], 2000.

Ce document est le sujet de :
- Petric, Mirko. — «Roy Ascott (ed), Art, Technology, Consciousness : [email protected] (Bristol and Portland : Itelect, 2000), 204 pp.». — Convergence. — Vol. 8, no. 1 (Spring 2002).

La base de données du CR+D contient l'indexation suivante :
(Veuillez noter que les indexations ne sont pas toujours exhaustives.)

Individu :
- Bill Seaman

Événement lié :
- Consciousness Reframed 2000, 2000, Plymouth

Thème :
- Arts médiatiques

Éditeur :
- Intellect Books